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  • Tantric Buddhist Sculptures in Maharashtra's Cave Shrines (An Iconographic and Socio-Cultural Study)
  • Tantric Buddhist Sculptures in Maharashtra's Cave Shrines (An Iconographic and Socio-Cultural Study)
  • Tantric Buddhist Sculptures in Maharashtra's Cave Shrines (An Iconographic and Socio-Cultural Study)
  • Tantric Buddhist Sculptures in Maharashtra's Cave Shrines (An Iconographic and Socio-Cultural Study)
  • Tantric Buddhist Sculptures in Maharashtra's Cave Shrines (An Iconographic and Socio-Cultural Study)

Tantric Buddhist Sculptures in Maharashtra's Cave Shrines (An Iconographic and Socio-Cultural Study)

Publisher: Research India Press
Language: English
Total Pages: 300
Available in: Hardbound
Regular price Rs. 3,500.00
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Description

The book delves into the Tantrayana sculptures of the rock-cut caves in Western Maharashtra, offering an unparalleled glimpse into India's religious, social, and political life from the 6th Century BC to the 12th century CE. These caves, carved into a quarter-mile stretch of rock face, stand as silent witnesses to the region's historical and cultural landscape. In an area with sparse written records, these enduring sculptures Immortalize the past, providing invaluable insights into the spiritual practices and artistic achievements of early medieval India.

The Vajrayana sculptures, with their intricate carvings and profound symbolism, reflect the spiritual devotion of their creators. They showcase the architectural, iconographical, and artistic innovations of the period. By examining these sculptures, the book uncovers the cultural and historical dimensions of an era marked by religious fervor and artistic excellence.

The transformation from perishable materials to the permanence of stone is a central theme in the book. This shift highlights the technical expertise of the artists and their deliberate Intention to preserve their faith's sanctity and endurance. The book explores how this transition symbolizes a broader cultural and spiritual commitment to creating lasting monuments of devotion.

Through a detailed examination of these rock-cut caves and the sculptures within, the book sheds light on their iconographical, historical, religious, and artistic significance. It investigates the evolution of tantrik Buddhist sculputures and its role in shaping the cultural identity of the region. The study brings to life the silent stones, revealing the vibrant Buddhist tradition that once flourished in this part of India.

The book aims to bridge the gap between the past and the present by interpreting the early Tantrayana sculptures of Western Maharashtra. It explores the interplay between religious beliefs and artistic expression, uncovering the profound connections between faith, art, and architecture. By doing so, it seeks to inspire a deeper appreciation for these remarkable caves and their enduring legacy.

The book celebrates their artistry and explores their historical significance, inviting readers to discover the rich cultural heritage preserved within these ancient monuments. By bringing these silent stones to life, the book provides a window into the world of ancient India and the vibrant Buddhist tradition that once thrived here.

 

About the Author

Dr. Ashish S. Shende highlights academic and professional background in archaeology and Ancient Indian history. He holds a postgraduate diploma in archaeology from the Archaeological Survey of India, New Delhi, and a Master's in Ancient Indian History, Culture, and Archaeology from Rashtrasant Tukdoji Maharaj Nagpur University, Nagpur.

His career includes significant roles such as Head of the Department and Assistant Professor in the Department of Ancient Indian History, Culture, and Archaeology at Vasantrao Naik Government Institute of Arts and Social Sciences (Morris College), Nagpur.

Dr. Shende has worked extensively within government and non-government archaeological projects, including as a Junior Archaeologist with the Shahjahanabad Redevelopment Corporation, GNCT of Delhi, Govt. of Delhi and a Documentation Associate in the National Mission on Monuments and Antiquities at Archaeological Survey of India.

His extensive fieldwork experience ranges from excavations at Megalithic sites like Davalameti in Maharashtra and Harappan site Bhirrana in Haryana to prehistoric exploration in Madhya Pradesh and Himachal Pradesh. He has organized several exhibitions and cultural events focusing on Kashmiri life and culture at the Indira Gandhi National Centre for the Arts.

Additionally, he has engaged in a Major Research Project on the "REANALYSIS AND DOCUMENTATION OF BUDDHIST INSCRIPTIONS IN VIDARBHA", demonstrating his ongoing commitment to advancing archaeological scholarship.

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